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The reliable smooth Chicago texture of Southside Stomp a staple feel on any Earl and the Broadcasters album is set against the deep warmth of Jims Song written and performed by Earl for the memory of bandmate and bassist Jim Mouradian.Vocalist Diane Blue throws out excellent phrasing and soul on Heartbreak (Its Killing Me) and just kills on Never Gonna Break My Faith surrounded by supple chops from Dave Limina on Hammond B-3 and Earls guitar solos and fills Personally speaking Sugar Ray Norcias song Long Lost Conversation is total blues bliss with Earl and The Bluetones. That song is followed by the gorgeous and soulful Sweet Miss Vee written by Earl.Cmon, Let Go combines the mood of after-school cartoons (think ) with Velvet Underground Sweet Jane riffs.The Knee High Fizzle takes a jaunty run through rockabilly references, with Chevy Casanova illuminating more uptown touches, complete with lively saxophone from Vincent Henry.Produced by Swedish blues guitar player Staffan Astner, Afternoon in Paris promises the right mix of groovy blues and soulful jazz (with a touch of Swedish folk melody) and shows Yana Bibbs musical range, influence and depth. Whilst wrote Blues fans would be wise not to overlook.Sena Ehrhardts third release furthers her ascendance to blues elite status.features a trio of legendary Texas guitarslingers Jimmie Vaughan, Z. Tops Billy F Gibbons and Charlie Sexton as well as a host of other Lone Star State all-stars.

It is tragic and drastic and totally and completely unfair and yet thousands upon thousands of families find themselves in this position each year.Postpartum Progress exists to provide peer-to-peer support.The information on this site is for educational, advocacy purposes only.Always a sucker for a bit of Yakety Sax (or yakety axe), I Got Em Too is a favoured romp.However, other pieces appear little more than excuse for playful song titles as evidenced by Cozy With Rosy and Zing Zong Song, which initially borrows from theme, before sliding into Los Straitjackets territory. None of which diminishes the obvious skill and artistry Breit possesses, nor the encompassing appeal of this recording. Earl has worked with his band The Broadcasters for almost 30 years. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian.

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One Mo Bo, a Bo Diddley homage, doesnt progress beyond its implicit limitations, and The Goldtooth Shuffle isnt much more than a groove, albeit a fine one, extended to three minutes. As Jim would say when he first met someone: Im the luckiest man you know and I dont even know who you know.

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